Concert Filming - Band Videographer - 20 Media

For highlights and roaming cameras we very much go with the style of concert and type of music.  We look to film in a way that will compliment the concert and give you the final film that will help promote future events.  It is all about attracting the right audience for your show.  

We film with the energy of the night in mind movement, crowd, tension, the drop, the moments between songs. You’ll still get clean, steady angles and broadcast-quality coverage, but the final result feels alive, not staged.

• The Roamer = you get a finished highlight film synced to a track from your set. Designed for socials and promo.
• Raw & Loud = you get beautifully shot raw footage, no edit. Ideal if you’ve got your own editor or you want to cut multiple versions yourself.

If you want something you can post fast without thinking, go Roamer.

Two things, ideally:

1. A clean audio source (more on that below)
2. For highlights - your chosen track from the set (or tell us the moment you want to build around) or provide us with a composition of songs. 

If you’re not sure, we’ll advise what song tends to work best for a highlight cut (usually the most recognisable chorus + biggest crowd moment).

Yes, and it’s usually the best route for a base for the complete concert.  If you want a multi channel record for audio post editing this can be arranged. 

Options include:

• FOH desk feed (preferred if it’s clean)
• recording from a separate recorder with ambient room sound
• a blend of both, so you keep the atmosphere and clarity

If the sound engineer is happy, we’ll coordinate politely and keep it smooth.

Sometimes, yes  and we’ll help you get it sorted. In terms of insurance and risk assessments

Many venues are totally fine with filming, but a few have rules around:

• where cameras can be placed
• whether you can use a gimbal
• whether you can film the crowd

Our standard approach is rapid release because timing matters.

• Highlights are typically delivered within 72 hours (especially if you want to ride the post-show buzz)
• Express 48hr is available 
• Full show edits vary depending on camera count and length

If your next gig is coming up quickly, we’ll prioritise what helps you sell tickets now.

Yes and they’re one of the highest-value extras because they build instant trust.

We can grab quick fan reactions like:

• “Best moment of the night?”
• “How long have you followed the band?”
• “Describe this gig in one word”
• “Why should someone come to the next show?”

We’ll help you round up the right people (superfans and big personalities win here).

That depends on the venue and ambition, but typically:

• 3–7 cameras, synced audio
• wide safety angle + roaming cameras for energy
• optional live mix edit for speed
• social cutdowns and trailers if needed

If you’re doing a theatre show or something with choreography/lighting cues, multi-cam is the one.

Yes , that’s literally the job.

Concert lighting can be brutal: flicker, colour changes, haze, darkness. We shoot with kit and settings designed for this environment and we’re used to working under pressure without ruining the vibe for the audience.

No  we’re there to capture the night, not become the main character.

We work with a “pit brain” approach:

• stay light on our feet
• pick the moments to push in
• disappear when the audience needs space

We can also work from FOH, balcony, wings — whatever suits the venue rules.  Many of the examples you see on this page were filmed under very tight restrictions. 

Yes. In fact, we recommend it.

Most bands want:

• 1 main highlight film
• 5–15 short vertical clips (15–45s)
• 1 teaser trailer for next gig
• still frames for posters and announcements

If you tell us your main platforms (IG, TikTok, YouTube, LinkedIn), we’ll format properly.

Yes  we cover London, Surrey, Kent and the South East regularly, and we travel across the UK and Europe when the tour does. Worldwide dates considered.

Travel costs depend on distance, crew size, and call times — we’ll keep it straightforward.

Earlier is better (especially for weekends, festivals and peak seasons), but if you’ve got a late booking, still ask — we can often move fast.

That’s normal. We’ll ask you three questions and steer you quickly:

1. Are you trying to sell tickets, get bookings, or build press assets?
2. Do you want one highlight or the full show?
3. What’s the venue size and setup like?

Then we’ll match you with the right package.